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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
The Persistence of the Documentary Photobook in the Age of the Web |
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Julie Martin |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
What Makes 21st Century Central and East European Photobooks so Different, so Appealing? |
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Adam Mazur |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
Santu Mofokeng’s The Black Photo Album / Look at Me: 1890–1950 (2013) and the Victorian Dispositive. Photographic Staging and Appropriation as Practices of Anticolonial Resistance |
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Elisaveta Dvorakk |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
A Photo Book as a Box: On Mladen Teofilović’s work The Core |
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Jelena Matić |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
Stillness and Movement: Photographic Essays and the Moving Images in Contemporary Digital Culture |
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Jelena Mišeljić |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
Pedagogical Potential of Dolf Schnebli’s Photobook. Learning From a Slow Journey and Its Media |
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Lucia Pennati |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
Conceptual Photo Books: Photo-Imago as a Trace of the Geist |
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Miško Šuvaković, Dubravka Đurić |
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| No 28 (2022): Issue No. 28, September 2022 – Main Topic: Rare, Bound, Cheap, Inserted – The Evolution of Photobooks |
Don’t Judge a Book by Its Cover: Aenne Biermann’s 60 Photos |
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Mareike Stoll |
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