“Volatile, feral and glamorous”: Australia’s Women’s Warehouse

Louise R. Mayhew

Abstract


The Women’s Warehouse (1979–1981) provided a short-lived and unofficial headquarters for the social and cultural activity of the Women’s Liberation Movement (WLM) in Sydney, Australia. This paper writes an introductory history to the Women’s Warehouse through the case study of the Women’s Warehouse Screenprinters, one of the most significant collectives to operate in the space. This approach allows for a focused understanding of how feminist ideologies were interpreted and implemented by members of the house via, for example, collective ownership, group authorship, commitment to local community concerns and the non-sexist representation of women. The Women’s Warehouse was an unproclaimed, yet undeniably, lesbian feminist space. This paper begins research into the feminist politics, presentation and perception of the house.

Keywords


Women’s Warehouse, feminist separatism, lesbian feminism, feminist history, lesbian history, Australia

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References


Girls Own: Sydney Feminist Newspaper, Sydney, 1981.

Kenyon, Therese. Under a Hot Tin Roof: Art, politics and passion at the Tin Sheds Art Workshop Sydney. Sydney: State Library of New South Wales Press, 1995.

The Wimmin’s Warehouse Collective. “Wimmins Warehouse 28th April 1979 – 25th Dec 1981.” Girls Own: Sydney Feminist Newspaper. Sydney, 1981, V.

Tsara, Olga. “The art of revolution: Political posters in the RedPlanet archive.” The La Trobe Journal, 65 (2005): 94–95.

Zagala, Anna. Redback Graphix. Canberra: National Gallery of Australia, 2008, 19.




DOI: http://dx.doi.org/10.25038/am.v0i8.102

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