Stanley Cavell, Classical Hollywood and the Constitution of the Ordinary (With Notes on Billy Wilder)

Authors

  • Tatjana Jukić

DOI:

https://doi.org/10.25038/am.v0i9.119

Keywords:

Stanley Cavell, classical Hollywood, the ordinary, psychoanalysis, Gilles Deleuze, Billy Wilder

Abstract

When in his Tanner lectures Stanley Cavell sets out to define Ordinary Language Philosophy or – rather – to explain how it demarcates philosophy as such, he takes up psychoanalytic literary criticism in order to articulate the terms of this task. Yet the constitution of the ordinary, in Cavell, is never quite accessed from within psychoanalysis-cum-literature alone; instead, it takes another relation, that of psychoanalysis and literature to classical Hollywood, for Cavell to address the ordinary in terms of its constitution. I propose to discuss this complex using two films by Billy Wilder as a passageway to Cavell’s analytic procedure.

Author Biography

Tatjana Jukić

Faculty of Humanities and Social Sciences, University of Zagreb
Croatia

References

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Cavell, Stanley. The World Viewed. Reflections on the Ontology of Film. Cambridge Mass., London: Harvard University Press, 1979.

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Deleuze, Gilles. Coldness and Cruelty. New York: Zone Books, 2006.

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Jukić, Tatjana. “Film, politika, psihoanaliza: slučaj Lubitsch.” In Dosezi psihoanalize. Kniževnost, izvedbene umjetnosti, film i kultura, edited by Ivan Majić, Andrea Milanko, and Ana Tomljenović. Zagreb: Leksikografski zavod Miroslav Krleža, 2015.

Zupančič Žerdin, Alenka. “Kaj je ‘Cluny Brown’?.” In Zadeva Lubitsch, edited by Ivana Novak and Jela Krečić. Ljubljana: Slovenska kinoteka, Društvo za teoretsko psihoanalizo, 2013.

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Published

15.04.2016

How to Cite

Jukić, T. (2016). Stanley Cavell, Classical Hollywood and the Constitution of the Ordinary (With Notes on Billy Wilder). AM Journal of Art and Media Studies, (9), 93–106. https://doi.org/10.25038/am.v0i9.119