Book Review: Peter Osborne, Anywhere or Not at All: Philosophy of Contemporary Art. London: Verso, 2013

Authors

  • Vesna Mitar

DOI:

https://doi.org/10.25038/am.v0i7.97

Keywords:

book review

Abstract

-

After the end of Soviet hegemony and the fall of socialist regimes in Central and Southeast Europe, the consideration of the relationship between art and politics seems urgent. The experience of more than two decades of political and structural changes toward the development of institutions of global capital also contributes to this urgency. The debate over the (political) nature of art becomes necessary, taking into account that this question has been superseded by a marketplace wherein all designations and forms of Art are available. It shows (itself) to be the best vehicle for manipulation and instrumentalization towards the current doxa that ‘everything is possible’. Moreover, the issue of the political aspect of art has been complicated by the dominant intellectual opinion and denunciations that all forms of utopian and social dimensions of art, as in the case of revolutionary and emancipatory perspectives of the avant-gardes, are responsible for the horrors of totalitarianism and terrorism. The aim of this issue therefore is to address the question of how to constitute and affirm an active Art today without slipping into essentialism. Focus Issue Editor: Bojana Matejić

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Published

15.04.2015

How to Cite

Mitar, V. (2015). Book Review: Peter Osborne, Anywhere or Not at All: Philosophy of Contemporary Art. London: Verso, 2013. AM Journal of Art and Media Studies, (7), 117–119. https://doi.org/10.25038/am.v0i7.97

Issue

No. 7 (2015): Issue No. 7, April 2015 - Topic of Issue: Art and Politics: Agency, Autonomy, Emancipation

Section

Book Reviews

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AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774

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