Brand Texts and Meaning in Post-Digital Consumer Culture

Chris Hackley, Amy Hackley Rungpaka

Abstract


This paper discusses the mechanisms of post-digital consumer cultural meaning-making using advertising as its point of departure. The assumption is that the post-digital is neither an era nor an epoch but a characterisation that reflects a consumer cultural world of digitised content that operates as a default for many consumers, while the analogue world hovers ghost-like, re-asserting itself where digital technologies cannot serve, where and when they cannot be accessed, or when they fail. In this post-digital world, the locus of consumer cultural meaning-making has shifted, from long-form advertising campaigns, to fragmented and polysemous intertexts that circulate kinetically via social media. In other words, the locus of consumer cultural meaning-making has shifted from the primary texts of brand marketing, to secondary or paratexts. Drawing on Gérard Genette’s theory of transtextuality, the paper discusses how this post-digital meaning-making mechanism plays out, for brands, and beyond, within a post-digital consumer culture.

 

Article received: May 25, 2020; Article accepted: June 30, 2020; Published online: September 15, 2020; Original scholarly paper

How to cite this article: Hackley, Chris and Rungpaka Amy Hackley "Brand Texts and Meaning in Post-Digital Consumer Culture." AM Journal of Art and Media Studies 22 (2020): 147-168. doi: 10.25038/am.v0i22.391


Keywords


media; paratexts; advertising; intertextuality; convergence; meaning.

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DOI: http://dx.doi.org/10.25038/am.v0i22.391

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