Benjamin Buhloh. Recepcija nasleđa avangarde / Benjamin Buchloh. Reception of Avant-Garde Heritage
DOI:
https://doi.org/10.25038/am.v0i4.47Keywords:
art history, avant-garde, neoavantgarde, culture industry, politicalAbstract
This work deals with some of the most important aspects of the theoretical and critical work of art historian Benjamin H. D. Buchloh. Beside being co-editor of October and professor of modern art at Harvard University, he is the key witness to all the phenomena we find essential to the contemporary art development. He witnessed the moment of their emergence from up close or from the key places of their influence on the rest of the world. He interpreted historical avant-garde and neo-avantgarde movements with special attention, in an attempt to define criteria (historical, ideological, and esthetical) for distinguishing between European and American neo-avantgarde. His geopolitical biography, his insight into the relation between art and politics in the after war Germany, as well as the results of his research of the avantgards were presented in the essay.
References
Buchloh, H. D. Benjamin ed. Broodthaers – Writtings, Interviews, Photographs. London, Cambridge MA: The MIT Press, 1988.
Buchloh, Benjamin. “Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions.” October 55 (1990): 105–143. DOI: https://doi.org/10.2307/778941
Buchloh, Benjamin. “Figures of Authority, Ciphers of Regression – Notes on the Return of Representation in Europian Painting.” October 16 (1981): 39–68. DOI: https://doi.org/10.2307/778374
Buchloh, Benjamin. “From Detail to Fragment: Décollage Affichiste.” October 56 (1991): 99–110. DOI: https://doi.org/10.2307/778725
Buchloh, Benjamin. “From Faktura to Factography.” October 30 (1984): 82–119. DOI: https://doi.org/10.2307/778300
Buchloh, Benjamin. “Gerhard Richter’s Atlas: The Anomic Archive.” October 88 (1999): 117–145. DOI: https://doi.org/10.2307/779227
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Buchloh, Benjamin ed. Modernism and Modernity: The Vancouver Conference Papers. Press of the Nova Scotia College of Art & Design, 2005.
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Buchloh, Benjamin. Catherine David, and Jean-Francois Chevrier. The Political Potential of Art.” Pol(e)itics, Documenta X – The Book. Kassel: Cantz, 1997, 375–403 and 624–643.
Foster, Hal, Roslaind Krauss, Yves-Alain Bois, and Benjamin H. D. Buchloh ed. Art Since 1900: Modernism, Antimodernism, Postmodernism. London: Thames and Hudson, 2005.
Krauss, Rosalind, Annete Michelson, Yves-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Dennis Hollier, and Sylvia Kolbowski ed. October. The Second Decade, 1986–1996. Cambridge MA: The MIT Press, 1997.
Michelson, Annette, Rosalind Krauss, Douglas Crimp, and Joan Copjec eds. October – The First Decade, 1976–1986. Cambridge MA: The MIT Press, 1987.
Šuvaković, Miško. Pojmovnik teorije umetnosti. Beograd: Orion Art, 2012.
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