Dva razmatranja digitalne fotografije: Marta Rosler i Fred Ričin / Two Considerations of Digital Photography: Martha Rosler and Fred Ritchin
DOI:
https://doi.org/10.25038/am.v0i5.61Keywords:
photography, theory, digital, manipulation, documentarity, objectivityAbstract
The advent of photography was one of the most important discoveries in the culture and the society of 19th century. At the end of the 20th and beginning of the 21st century this role belong to digital technology. One of the consequences this transformation of the analog to digital photography are new discussion and theories about the nature of the media. While one group of contemporary theorists argues that this technical-technological change means nothing else but the death of photography as we know, the other one claim opposite. In this paper, I will try to pinpoint at two views and considerations on digital photography, of Martha Rosler and Fred Ritchin.
References
Bertelsen, Lars Kiel. "It’s Only a Paper Moon....” In Symbolic Imprints: Essays on Photography and Visual Culture, edited by Lars Kiel Bertelsen, Rune Gade, and Mette Sandbye, 88–107. Oakville: Aarhus University Press, 1999.
Burgin, Victor. “Looking at photographs.”In Thinking photography, edited by Victor Burgin, 142–152. London: Macmillan Education, 1982. DOI: https://doi.org/10.1007/978-1-349-16716-6_7
Burgin, Victor. The End of Art Theory, Criticism and Postmodernity. New York: Humanite Press International, 1987.
Marien, Warner Mary, Photography – A Cultural History, London, Laurence King Publishing,
Mitchell, William. Reconfigured Eye: Visual Truth in The Post – Photography era. www.stanford.edu/class/history34q/readings/Mitchell/MitchellIntention.
Ritchin, Fred. “The Critical Image.”, In C. Squires. Photojournalism in the Age of Computers. Seatle: Bay Press, 1990, 28–37.
Ritchin, Fred. In Our Own Image: The Coming Revolution in Photography. New York: Aperture, 1990.
Ritchin, Fred. After Photography. New York: W.W.Northon & Company Inc, 2009.
Rosler, Martha. “In, Around and Afterthoughts (On Documentary Photography).” In Decoys
and Disruptions: Selected Writings 1975–2001. Cambridge MA, London, New York: The MIT Press, International Center of Photography, 2004, 152–206.
Rosler, Martha. “Image Simulation, Computer Manipulation.” In Decoys and Disruptions: Selected Writings 1975–2001. Cambridge MA, London, New York: The MIT Press–International Center of Photography, 2004, 259–317.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 AM Journal of Art and Media Studies
This work is licensed under a Creative Commons Attribution 4.0 International License.
The content on this site is licensed under a Creative Commons Attribution 4.0 International License.
AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774
Contact: amjournal@outlook.com
Publisher: Faculty of Media and Communications, Singidunum University, Belgrade, Serbia
Indexed in: ERIH PLUS, EBSCO, DOAJ, and in The List of Scientific Journals Categorization of Ministry of Education, Science and Technological Development of Republic of Serbia (M24 in 2021; M23 in 2023). Beginning with No. 12 2017, AM is indexed, abstracted and covered in Clarivate Analytics service ESCI.
