“The Biennale of Dissent 1977” and Italian Architecture during the 1970s
DOI:
https://doi.org/10.25038/am.v0i12.164Keywords:
Venice Biennale, Soviet dissidence, Italian architecture, Italian Communist Party, Italian Socialist PartyAbstract
In 1977, “The Biennale of Dissent” was a significant event in the history of the anti-Soviet dissidence. In Italy during the 1970s intellectuals, artists and architects had many connections with Marxist theories and the Soviet Union, but their role, referred to in this event, appears complex and, on occasions, contradictory. The Italian cultural world mirrored a political situation, in which it became a duty to take up a position which opposed Italy’s Fascist past. Artistic and political opinions coincided. For this reason, in Italy the culture of dissidence led to a heated debate. One generation of architects was born in this context and few were able to think outside the box. The interpretation proposed for Italian architecture and the masters of the time should prompt a consideration of the current absence of Italian critics and architects in international debates.
References
ASAC-Fondo Storico. “La Biennale di Venezia.” visual arts series [Biennale archives].
Adamson, Glenn, and Jane Pavitt, ed. Postmodern, Style and Subversion, 1970−1990. London: V&A Publishing, 2011.
Aymonino, Carlo. Origini e sviluppo della città moderna. Venezia: Marsilio Editori, 1971.
Argan, Giulio Carlo. “E’ una Biennale o un mercato?.” L’Espresso, February 27, 1977.
Guttuso, Renato. “Biennale e ‘dissenso’: i problemi, i pretesti.” L’Unità, March 17, 1977.
Mecucci, Gabriella, and Carlo Ripa di Meana. L’ordine di Mosca, Fermate la Biennale del Dissenso. Roma: Fondazione Liberal, 2007.
Nono, Luigi. “Si chiude tra le polemiche la biennale del dissenso. Nono risponde ad André Volkonsky ma non al cantautore Wolf Biermann.” Il Gazzettino, December 15, 1977.
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