From Polyphasic Latency to Polyrhythmic Concretion: Rhythm and Relation in Simondon and Whitehead

Vinícius Portella Castro

doi:10.25038/am.v0i24.421

Authors

Vinícius Portella Castro

DOI:

https://doi.org/10.25038/am.v0i24.421

Keywords:

Gilbert Simondon, A. N. Whitehead, Brian Massumi, Rhythm, Luciana Parisi, Steve Goodman

Abstract

Is it possible to conceive of a conciliation between the relational ontologies of Simondon and Whitehead? The similarities between their work are evident, but so are the disparities. Simondon is perhaps the most rigorous physicalist of the 20th century; Whitehead offered us a strange energetic or sentimental idealism, thoroughly concrete in its actualization, but involving a God and a host of eternal objects. With the aid of the work of Brian Massumi, Luciana Parisi and Steve Goodman, I will try to argue that Simondon and Whitehead both offer rhythmic ontologies, although not quite explicitly. Whitehead generalizes subjectivity throughout all scales, Simondon generalizes the notion of individuation for all scales. The two strategies are radically distinct, but I believe both gestures could be understood as a sort of radically-pluralist panchronism. Being is resonance and feeling for Whitehead, a cosmic actualization of the divine appetition of God, whereas for Simondon being is the amplification of internal resonance. For both philosophers, the rhythms that precede us entrain us throughout all scales. Finally, in this context, a brief understanding of African polyrhythms will be presented as a possible prototype for the collective emergence of complexity from a plurality of durations.

Article received: April 18, 2020; Article accepted: July 1, 2020; Published online: April 15, 2021; Original scholarly paper

Author Biography

Vinícius Portella Castro

Independent Researcher, Rio de Janeiro
Brazil

Vinícius Portella Castro (b.1988) is a Brazilian writer, drummer, and media theorist. He has an MA from Dartmouth College and a PhD from the State University of Rio de Janeiro (BR), both in the field of comparative literature. In 2017 he published the novel Procedimentos de Arrigo Andrada. He currently lives in Rio de Janeiro.

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DOI: http://dx.doi.org/10.25038/am.v0i24.421 DOI: https://doi.org/10.25038/am.v0i24.421