Neobaroknost fizičko-virtuelnih prostora u savremenim scenskim izvođenjima: slučaj Hotel pro forma / Neo-Baroque Spaces in Contemporary Performances – Case Study: Hotel Pro Forma
Milica Bajić Đurov
DOI:
https://doi.org/10.25038/am.v0i2.28Keywords:
physical space, virtual space baroque, neo-baroque, scene design, digital technologiesAbstract
This paper is exploring the issues of complexity of spatial relations between physical and virtual structures in contemporary scene design, and the resulting neo-baroque features of visual spectacles. The neo-baroque aesthetics and poetics found in the contemporary performance spaces are largely rooted in the artistic conceptions based upon the elaboration of the relation between physical and virtual representational elements as a way to overcome the classical representational structures. The aim of this analysis is to investigate neo-baroque as an aesthetic synthesis of new interrelations between virtual and physical space based on the use of digital technology. In an attempt to illustrate the complexity, as well as the possibilities introduced by the neo-baroque poetics and aesthetics, the paper is analysing the example of Danish performance troupe Hotel Pro Forma.
References
Calabrese, Omar. Neo-Baroque – A Sing of Times. Princeton, New Yersey: Princeton University Press, 1992.
Christoffersen, Erik E., "Hotel Pro Forma – Exposing Reality as a Visual Illusion.” Performance Research 1, 3 (1996): 77-89. DOI: https://doi.org/10.1080/13528165.1996.10871517
Christoffersen, Exe E., "Introduktion til Hotel pro Forma." In Hotel pro Forma. Arhus: Narayana Press, 1998.
Degli-Esposti Reinert, Cristina. "Neo-Baroque Imaging In Peter Greenaway’s Cinema." In Peter Greenaway’s Postmodern/Poststructuralist Cinema. Lanham–Maryland–Toronto–Plymouth: The Scarecrow Press, 2008.
Deleuze, Gilles. The Fold: Leibniz and the baroque. Minnesota: University of Minnesota Press, 1992.
Ettlinger, Or. Architecture of virtual space – doctorial thesis. Ljubljana: University of Ljubljana, Faculty of Architecture, 2007.
Focillon, Henri. The Life of Forms in Art. London: Zone Books, 1992.
Lehmann, Hans-Thies. Postdramsko kazalište. Zagreb, Beograd: CDU, TkH centar, 2004.
Ndalianis, Angela. Neo-Baroque Aesthetics and Contemporary Entertainment. London: Cambridge, The MIT Press, 2004. DOI: https://doi.org/10.7551/mitpress/4912.001.0001
Novak, Jelena. "Operacija: Orfej – Transplantacija Operskih Organa." TkH 4 (2002).
Palmer, Scott. The Potentials of Spaces. Bristol: Intelect, 2006.
Qvortrup, Lars. The Hypercomplex Society. New York: Peter Lang, 2003.
Šuvaković, Miško. "Afektacija, intenzitet i umetničko delo koje je fluks." Zeničke sveske (decembar 2006): 4–6.
Šuvaković, Miško. "Postajati mašinom; od teorije preko filozofije digitalne umetnosti, teatra i performansa... i natrag:" TkH 7 (2004).
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 AM Journal of Art and Media Studies
This work is licensed under a Creative Commons Attribution 4.0 International License.
The content on this site is licensed under a Creative Commons Attribution 4.0 International License.
AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774
Contact: amjournal@outlook.com
Publisher: Faculty of Media and Communications, Singidunum University, Belgrade, Serbia
Indexed in: ERIH PLUS, EBSCO, DOAJ, and in The List of Scientific Journals Categorization of Ministry of Education, Science and Technological Development of Republic of Serbia (M24 in 2021; M23 in 2023). Beginning with No. 12 2017, AM is indexed, abstracted and covered in Clarivate Analytics service ESCI.
