Postcinema, Motion Perception and Glitch Movies


  • Michael Betancourt



Artist Porfolio

How to cite this article: Betancourt, Michael. "Postcinema, Motion Perception and Glitch Movies." AM Journal of Art and Media Studies 15 (2018): 202–208. doi: 10.25038/am.v0i15.242

Author Biography

Michael Betancourt

Michael Betancourt

Savannah College of Art and Design, Georgia
United States

Michael Betancourt is an artist, theorist and historian. His movies have screened internationally at the Black Maria Film Festival, Art Basel Miami Beach, Contemporary Art Ruhr, Athens Video Art Festival, Syros International Film Festival, Festival des Cinemas Differents de Paris, Anthology Film Archives, Millennium Film Workshop, the San Francisco Cinematheque’s Crossroads, and Experiments in Cinema among others. His writing complements his movie making. He has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in many magazines, including The Atlantic, Make Magazine, Millennium Film Journal, Leonardo, Semiotica, and CTheory. He wrote The ____________ Manifesto, and books such as The Critique of Digital Capitalism, Glitch Art in Theory and Practice, and Beyond Spatial Montage: Windowing. Currently he is a Professor of Motion Media Design, at Savannah College of Art and Design, Georgia, USA




How to Cite

Betancourt, M. (2018). Postcinema, Motion Perception and Glitch Movies. AM Journal of Art and Media Studies, (15), 202–208.