Emperor Tomato Ketchup: Some Reflections on Carnality and Politics

Authors

  • Ana Došen

DOI:

https://doi.org/10.25038/am.v0i15.230

Keywords:

Terayama Shuji, Emperor Tomato Ketchup, children, carnality, politics, non-revolution

Abstract

Terayama Shuji is one of the most prominent Japanese avant-garde artists of the 20th century. This paper explores Terayama’s experimental film Emperor Tomato Ketchup (1971), dealing with children’s rebellion against (masculine) authority. With an apparent lack of conventional narrative, this 16mm tinted black and white feature, shot in documentary style, was filmed in public without permission, demonstrating the guerilla tactics of Terayama’s experimental approach. Reflecting the turbulent times of Japan’s 1960s, when the quest for reinvention of national identity was compellingly engaged both right and left, Emperor Tomato Ketchup illustrates a dystopian Japan where the brutal revolution of ‘innocent’ and immature takes place. The focus of this paper is on the notion of carnality and politics of postwar Japan, as film’s transgressive graphic content of pre-pubescent children’s sexual encounter with women can still be perceived as radical.

 

Article received: December 26, 2017; Article accepted: January 10, 2018; Published online: April 15, 2018; Original scholarly paper

 

How to cite this article: Došen, Ana. "Emperor Tomato Ketchup: Some Reflections on Carnality and Politics." AM Journal of Art and Media Studies 15 (2018): 59–66. doi: 10.25038/am.v0i15.230

 

Author Biography

Ana Došen

Faculty of Media and Communications, Singidunum University, Belgrade
Serbia

Ana Došen is an Assistant Professor at the Singidunum University, Faculty of Media and Communications, (Belgrade, Serbia), where she teaches media theory, East Asian cinema, and Japanese art and culture. She holds a Ph.D. in arts and media theory from Singidunum University. She has contributed articles in the fields of literature, media, film and cultural studies.

References

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Mishima, Yukio and Shuji Terayama. “Taidan: Erosu wa Teikou no Kyoten ni Narieruka.” Ushio, July 1970.

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Nettleton, Taro E.F. “Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Japanese Underground Art of the 1960s.” PhD diss., University of Rochester, 2010.

Rayns, Tony. “Where the mountain meets the street: Terayama Shuji.” Sight & Sound – Web exclusive, 15 March 2012. http://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/where-mountain-meets-street-terayama-shuji. Accessed January 15, 2018.

Slaymaker, Douglas N. The Body in Postwar Japanese Fiction. London: Routledge Curzon, 2004. DOI: https://doi.org/10.4324/9780203300145

DOI: http://dx.doi.org/10.25038/am.v0i15.230 DOI: https://doi.org/10.25038/am.v0i15.230

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Published

15.04.2018

How to Cite

Došen, A. (2018). Emperor Tomato Ketchup: Some Reflections on Carnality and Politics. AM Journal of Art and Media Studies, (15), 59–66. https://doi.org/10.25038/am.v0i15.230