Sounds, Memories and Affects: Double Capture in a Relational Artistic Experience

Valéria Bonafé; Rogério Costa

doi:10.25038/am.v0i23.394

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About The Authors

Valéria Bonafé
http://www.valeriabonafe.com

NuSom – Research Center on Sonology, University of São Paulo,
Brazil

Valéria Bonafé (1984), composer and researcher. She studied at the University of São Paulo and at the State University of Music and Performing Arts Stuttgart. Her music has been performed in concerts and festivals in several countries: Brazil, Belgium, Canada, England, France, Germany, Italy, and the USA. As a researcher, she works mainly in the following fields: creative processes, musical composition, musical analysis, sound studies, and feminisms. Her more recent research and creative work deals with sonority and sound image, memory and affect, orality and listening, sound poetics, sound autobiography, and sound cartography. Currently, she is developing a post-doctorate research-creation at NuSom – Research Center on Sonology at the University of São Paulo.

Rogério Costa
http://www.rogeriocosta.mus.br

Music Department, University of São Paulo,
Brazil

Rogério Costa (1959), Professor, researcher, and performer. He is an Associate Professor at the Music Department of the University of São Paulo and one of the coordinators of NuSom – Research Center on Sonology at the same institution. His main topic of research is music improvisation and its connections with other areas of studies such as philosophy, technology, music education, creative processes, and sound studies. In 2010 he founded Orquestra Errante (OE), a group dedicated to the practice and research about free improvisation. OE works in a democratic and non-hierarchical way, and strongly emphasizes the idea of creating music collectively in real-time. In this group, besides being the coordinator, he acts as an improviser at the saxophone. He is author of the book Música Errante: o jogo da improvisação livre [Errant Music: the game of free improvisation] (Ed. Perspectiva, 2016).

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Sounds, Memories and Affects: Double Capture in a Relational Artistic Experience

Valéria Bonafé, Rogério Costa

Abstract

This article presents and discusses the nos{entre}nós project, which stems from an artistic collaboration between the authors, composer Valéria Bonafé and improviser and saxophonist Rogério Costa. The project is nurtured by the differences between both artists and proposes a particular manner of assemblage (agencement) set on privileging a consistent collaborative practice. The philosophical work of Gilles Deleuze, Félix Guattari and Brian Massumi is used to analyze this relational practice, with special attention given to concepts like zone of indiscernibility, disjunctive synthesis and double capture. The article also deals specifically with the creative processes involved in producing the first artistic work of this collaborative project, Schwarzwälder Kirschtorte. At stake is the memory space appearing as a field of sensible experience, capable of triggering the surging of affects and the energies necessary for creative assemblages, and where the loop appears as an important strategy of transduction between the poetic field and musical realization.

Article received: April 20, 2020; Article accepted: May 30, 2020; Published online: October 15, 2020; Original scholarly paper

How to cite this article: Bonafé, Valéria and Rogério Costa. "Sounds, Memories and Affects: Double Capture in a Relational Artistic Experience." AM Journal of Art and Media Studies 23 (2020): 13-27. doi: 10.25038/am.v0i23.394

Keywords

collaborative creative processes; composition; improvisation; double capture; memory; affect; loop.

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References

Bonafé, Valéria. “The experience of sonority: the dangers of a journey into the unknown.” Interference Journal 6 (2018): 83–96.

Bonafé, Valéria and Rogério Costa. Schwarzwälder Kirschtorte. Score. São Paulo: Score, 2017.

Campesato, Lílian and Valéria Bonafé. “La conversación como método para la emergencia de la escucha de sí.” El oído pensante 7, 1 (2019): 47–70.

Costa, Rogério. Música Errante: o jogo da improvisação livre. São Paulo: Ed. Perspectiva, 2016.

Costa, Rogério. “Orquestra Errante: a musical practice deeply rooted in life.” In Proceedings of Sonologia 2019 – I/O, edited by Fernando Iazzetta et al, 542–62. São Paulo: ECA-USP, 2020.

Deleuze, Gilles and Felix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Translated by Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: University of Minnesota Press, 2000.

Deleuze, Gilles and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 2005.

Deleuze, Gilles and Claire Parnet. Dialogues. Translated by Hugh Tomlinson and Barbara Habberjam. New York: Columbia University Press, 1987.

Massumi, Brian. “Imediação ilimitada.” In Proceedings of Conexões deleuze e cosmopolíticas e ecologias radicais e nova terra e…, organized by Susana Oliveira Dias, Sebastian Wiedemann, and Antonio Carlos Rodrigues Amorim, 25–64. Campinas: ALB/ClimaCom, 2019.

Massumi, Brian. What Animals Teach Us About Politics. Durham and London: Duke University Press, 2014.

DOI: http://dx.doi.org/10.25038/am.v0i23.394

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AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774

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Publisher: Faculty of Media and Communications, Singidunum University, Belgrade, Serbia

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