The Influence of Temporality: Exhibiting Architecture and the Prospect of Immediacy of Discipline at the Venice Biennale
DOI:
https://doi.org/10.25038/am.v0i29.569Keywords:
exhibiting architecture; temporality; contemporaneity; Venice Biennale of Architecture; discipline of architecture.Abstract
The state of architecture being exhibited and (re)exposed through formats of public display does not present the central framework of architectural production. However, the condition of exhibiting architecture is opening a set of valuable prospects for the discipline – it creates a specific temporal form of displacement for architecture in which a multifaceted set of connotations and views of this discipline is being provoked. The exhibition and its structure are understood here primarily as a point in time; a specific temporal form with its own tactics of appearance that make the notion of contemporaneity occur.
Taking the context of the Venice Biennale of Architecture as the most prominent platform for global overview of architectural practice, this paper will reflect on today’s relevance of architecture as an aesthetic discipline related not only to designing (projection and production of architecture), but to its post-production (exhibiting architecture) as well. Claiming that architectural contemporaneity is motivated primarily by the urge for actuality – setting the new emerges as the formative property of the discipline.
This paper aims to prove that the specific temporal form of exhibition reveals a proposition for regenerating the competency of architectural discipline. This proposition about being present manifests itself as a prospect for the immediacy of the discipline, as the qualitative evidence of architecture’s immanency to continuously reconstitute and actualize, maintaining the passage to keep its influence in shaping our world.
References
Agamben, Giorgio. “What Is the Contemporary?” In “What is an Apparatus”? and Other Essays, translated by David Kishik and Stefan Pedatella, 39–54. Redwood City: Stanford University Press, 2009.
Alemani, Cecilia, et al. The Disquieted Muses: When La Biennale di Venezia meets History. Venezia: La Biennale di Venezia, 2020.
Bishop, Claire. Radical Museology: Or, What’s ‘Contemporary’ in Museums of Contemporary Art? Köln: Walther König, 2014.
Bojanić, Petar. “Disciplinare l’architettura/pensare l’architettura.” Aut Aut 368 (2015): 49–62.
Colomina, Beatriz. Privacy and Publicity: Modern Architecture as Mass Media. Cambridge and London: MIT Press, 1996.
Cox, Geoff, and Jacob Lund. The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art. Berlin: Sternberg Press, 2016.
Deleuze, Gilles, and Félix Guattari. What Is Philosophy? New York: Columbia University Press, 1994.
Eisenman, Peter. “Presentness and the ‘Being-Only-Once’ of Architecture.” In Deconstruction Is/In America: A New Sense of the Political, edited by Anselm Haverkamp, 134–46. New York and London: NYU Press, 1995. DOI: https://doi.org/10.18574/nyu/9780814744772.003.0015
Ereš, Davor, and Jelena Mitrović. “Dispersion of Stylistic Modernisms: Hundred Years of Plasticity (Case study of Venice Architectural Biennale 2014).” In Aesthetics International Scientific Conference Revisions of Modern Proceedings, edited by Miško Šuvaković, Vladimir Mako and Vladimir Stevanović, 1568–1578. Belgrade: Faculty of Architecture, Society for Aesthetics of Architecture and Visual Arts Serbia (DEAVUS), 2015.
Groys, Boris. “Present, Presence, Presentation.” In Aesthetic Temporalities Today: Present, Presentness, Re-Presentation, edited by Gabriele Genge, Ludger Schwarte, and Angela Stercken, 31–38. Bielefeld: transcript Verlag, 2020. DOI: https://doi.org/10.1515/9783839454626-004
Hal Foster et al. “Questionnaire on ‘The Contemporary’.” October 130 (Fall 2009): 3–124. DOI: https://doi.org/10.1162/octo.2009.130.1.3
Kwinter, Sanford. “Beat Science.” In Paradoxes of Appearing: Essays on Art, Architecture and Philosophy, edited by Michael Asgaard Andersen and Henrik Oxvig, 149–167. Baden: Lars Müller Publishers, 2009.
La Biennale di Venezia. “Biennale Architettura 2023: The Laboratory of the Future.” https://www.labiennale.org/en/news/biennale-architettura-2023-laboratory-future-0. Accessed on March 23, 2023.
La Biennale di Venezia. “Introduction by Lesley Lokko Curator of the 18th International Architecture Exhibition.” https://www.labiennale.org/en/architecture/2023/introduction-lesley-lokko. Accessed on March 23, 2023.
Lending, Mari. “Circulation.” In Place and Displacement: Exhibiting Architecture, edited by Thordis Arrhenius et al., 167–170. Zürich: Lars Müller Publishing, 2014.
Levy, Aaron, and William Menking. Architecture on Display: On the History of the Venice Biennale of Architecture. London: AA Publications, 2010.
Michelis, Marco De, and Alta L. Price. “Architecture Meets in Venice.” Log 20 (2010): 29–34.
Osborne, Peter. “The Politics of Time.” Radical Philosophy 68 (1994): 5.
Osborne, Peter. “Modernity: A Different Time.” In The Politics of Time, Modernity and Avant-garde, 1–29. London, New York: Verso, 1995.
Pelkonen, Eeva-Liisa. “Mining the Paradox.” In Exhibiting Architecture: A Paradox?, edited by Eeva-Liisa Pelkonen, Carson Chan, and David Andrew Tasman, 9–13. New Haven: Yale School of Architecture, 2015.
Piotrowski, Andrzej. “On the Practices of Representing and Knowing Architecture.” In Discipline of Architecture, edited by Andrzej Piotrowski and Julia Williams Robinson, 40–60. Minneapolis and London: University of Minnesota Press, 2001.
Sloterdijk, Peter. Derrida, an Egyptian: On the Problem of the Jewish Pyramid. Translated by Wieland Hoban. Cambridge: Polity Press, 2009.
Smith, Terry. What Is Contemporary Art? Chicago: University of Chicago Press, 2009.
Smith, Terry. “Biennials Within the Contemporary Composition.” In The Biennial Condition, edited by Joasia Krysa. Liverpool: Liverpool Biennial, 2017. https://www.biennial.com/journal/issue-6The/biennials-within-the-contemporary-composition. Accessed on March 23, 2023.
Szacka, Léa-Catherine. “The 1980 Architecture Biennale. The Street as a Spatial and Representational Curating Device.” Exhibitions. Showing and Producing Architecture, OASE 88 (2012): 14–25.
Szacka, Léa-Catherine. “Biennale di Architettura di Venezia 1980.” In Exhibit A: Exhibitions That Transformed Architecture 1948–2000, edited by Eeva-Liisa Pelkonen, 228–233. New York: Phaidon Press, 2018.
Szacka, Léa-Catherine. Biennials/Triennials: Conversations on the Geography of Itinerant Display. New York: Columbia University, 2019.
Till, Jeremy. Architecture Depends. Cambridge: MIT Press, 2013.
Trüby, Stephan. “Architecture in the Age of Curating.” In The Architecture of Exhibition: How to Expose the Spectator to the Audience? edited by Marko Todorović, 20–30. Belgrade: Poligon, 2009.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 AM Journal of Art and Media Studies
This work is licensed under a Creative Commons Attribution 4.0 International License.
The content on this site is licensed under a Creative Commons Attribution 4.0 International License.
AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774
Contact: amjournal@outlook.com
Publisher: Faculty of Media and Communications, Singidunum University, Belgrade, Serbia
Indexed in: ERIH PLUS, EBSCO, DOAJ, and in The List of Scientific Journals Categorization of Ministry of Education, Science and Technological Development of Republic of Serbia (M24-2021). Beginning with No. 12 2017, AM is indexed, abstracted and covered in Clarivate Analytics service ESCI.
