Foucault’s Analysis and Interdisciplinary Perspective on Velázquez's Painting Las Meninas

Authors

  • Vuksan Vuksanović Faculty of Media and Communications, Singidunum University, Belgrade, Serbia

DOI:

https://doi.org/10.25038/am.v0i28.601

Keywords:

representation; Foucault; Las Meninas; épistémè; interdisciplinary analysis; self-referentiality.

Abstract

This paper examines Michel Foucault's interpretation of Diego Velázquez's painting Las Meninas (1656) which he uses to illustrate shifts in épistémès throughout history. After analyzing Foucault's interpretation, I extended his approach by employing an interdisciplinary perspective to relativize some of his concepts. The study incorporates various interdisciplinary methods, demonstrating that these approaches lead to a more profound understanding of the ontological, aesthetic, technical, psychological, and sociological dimensions of Velázquez's painting. This strategy demonstrates that artistic creations are dynamic and surpass simplistic dualistic frameworks, methodological relativism, and determinism. As a result, Las Meninas emerges as a self – referential artefact, continuously evolving in meaning through different epistemological and social frameworks.

Author Biography

Vuksan Vuksanović, Faculty of Media and Communications, Singidunum University, Belgrade, Serbia

Vuksan Vuksanović (Montenegro, 1978) currently resides in Podgorica. After earning his degree in philosophy from the Faculty of Philosophy at the University of Montenegro, Milan worked as a high school philosophy teacher. He later continued his education and became a librarian. Currently, he is employed at the library of the Faculty of Natural Sciences and Mathematics at the University of Montenegro. Additionally, he is a doctoral candidate at the Faculty of Media and Communications, Singidunum University in Belgrade, Serbia.

References

Alpers, Svetlana. The Vexations of Art: Velázquez and Others. New Haven: Yale University Press, 2005.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010.

Bhabha, Homi K. The Location of Culture. London: Routledge, 1994.

Braidotti, Rosi. The Posthuman. Cambridge: Polity Press, 2013.

Brown, Jonathan. Images and Ideas in Seventeenth – Century Spanish Painting. Princeton, NJ: Princeton University Press, 1978.

Brown, Jonathan. Velázquez: Painter and Courtier. New Haven: Yale University Press, 1986.

Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven: Yale University Press, 1983.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production. Cambridge, MA: Harvard University Press, 2014.

Fóti, Véronique M. “Representation Represented: Foucault, Velázquez, Descartes.” Philosophy Today 7, 1 (September 1996). https://www.pomoculture.org/2013/09/22/representation – represented – foucault – velazquez – descartes/. Accessed on August 27, 2024.

Foucault, Michel. Power/Knowledge: Selected Interviews and Other Writings, 1972–1977. edited by Colin Gordon. New York: Pantheon Books, 1980.

Foucault, Michel. Riječi i stvari. Arheologija humanističkih znanosti [The Order of Things: An Archaeology of the Human Sciences], translated by Nikola Kovač. Belgrade: Nolit, 1971.

Freud, Sigmund. “Civilization and Its Discontents (1930).” In The Standard Edition of the Complete Psychological Works of Sigmund Freud: The Future of an Illusion, Civilization and Its Discontents, and Other Works, translated by James Strachey. Vol. XXI, 97. London: Hogarth Press, 1961.

Freud, Sigmund. “On Narcissism: An Introduction.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XIV, edited by James Strachey, 67–102. London: Hogarth Press, 1957.

Heidegger, Martin. Being and Time, translated by John Macquarrie and Edward Robinson. New York: Harper & Row, 1962.

Hillman, James. Re – Visioning Psychology. New York: Harper & Row, 1977.

Hillman, James. The Dream and the Underworld. New York: Harper & Row, 1977.

Hillman, James. Archetypal Psychology: A Brief Account. Dallas, TX: Spring Publications, 1983.

“Las Meninas.” Encyclopaedia Britannica. https://www.britannica.com/topic/Las – meninas. Accessed on May 29, 2024.

“Las Meninas by Diego Velázquez – A Spanish Painter Art Study.” Art in Context. https://www.artincontext.org/las – meninas. Accessed May 29, 2024.

Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis, edited by Jacques – Alain Miller. Translated by Alan Sheridan. New York: W.W. Norton & Company, 1977.

Lacan, Jacques. The Ethics of Psychoanalysis 1959–1960: The Seminar of Jacques Lacan. Book VII. New York: W.W. Norton & Company, 1997.

Lacan, Jacques. Écrits: A Selection. Translated by Bruce Fink. New York: W. W. Norton & Company, 2007.

Lakoff, George, and Mark Johnson. Metaphors We Live By. London: The University of Chicago Press, 2003.

Manovich, Lev. The Language of New Media. Cambridge, MA: MIT Press, 2001.

Merleau – Ponty, Maurice. Phenomenology of Perception. London: Routledge, 1962.

Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.

Morton, Timothy. The Ecological Thought. Cambridge, MA: Harvard University Press, 2010.

Nochlin, Linda. “Why Have There Been No Great Women Artists?” In Women, Art, and Power and Other Essays, 145–78. New York: Routledge, 1988.

Ramachandran, V. S., and William Hirstein. “The Science of Art: A Neurological Theory of Aesthetic Experience.” Journal of Consciousness Studies 6, 6–7 (1999): 15–51.

Ricoeur, Paul. The Rule of Metaphor: The Creation of Meaning in Language. Toronto: University of Toronto Press, 1977.

Searle, John R. “Las Meninas and the Paradoxes of Pictorial Representation.” Critical Inquiry 6, 3 (Spring 1980): 477–88.

Snyder, Joel, and Ted Cohen. “Reflections on 'Las Meninas': Paradox Lost.” Critical Inquiry 7, 2 (Winter 1980): 429–447.

Stoichita, Victor. The Self – Aware Image: An Insight into Early Modern Meta – Painting. Cambridge: Cambridge University Press, 1997.

Steinberg, Leo. “Velázquez’ ‘Las Meninas’.” October 19 (Winter 1981): 54.

Zeki, Semir. Inner Vision: An Exploration of Art and the Brain. Oxford: Oxford University Press, 1999.

Downloads

Published

15.10.2024

How to Cite

Vuksanović, V. (2024). Foucault’s Analysis and Interdisciplinary Perspective on Velázquez’s Painting Las Meninas. AM Journal of Art and Media Studies, (35), 13–26. https://doi.org/10.25038/am.v0i28.601