Pozicija i status autora, dela i umetničkog doživljaja u okviru koncepta estetike odsutnosti Hajnera Gebelsa / Position and Status of Author, Work and the Experience of Art in Heiner Goebbels’ Concept of Aesthetics of Absence

Radoš Mitrović

Abstract


Heiner Goebbels’s aesthetic of absence is based on the redefinition of traditional hiararhical relations of elements inside of genre of instrumental theatre. Moving between modernism and postmodernism, Goebbels develops conceptual platform with which he reconsider position and status of autor, artwork and artistic experience. This platform is connected with the idea of artistic representation of pure presentness, allowing divergent elements in process to become, in ontological sense, recreating their very existence. In this paper I will discuss the basic ideas of aesthetic of absence, with special emphasis on paradigmatic Goebbels’s work Black on White, Eraritjaritjaka and Stifters Dinge.

Keywords


Heiner Goebbels, aesthetic of absence, postmodernism, autor, artistic experience, Black on White, Eraritjaritjaka, Stifters Dinge

Full Text:

PDF

References


Barthes, Roland. Kritika i istina. Zagreb: Algoritam, 2009.

Baudrillard, Jean. Inteligencija zla ili pakt lucidnosti. Zagreb: Naklada ljevak, 2006.

Felsenfeld, Daniel. “Heiner Goebbels.” Andante 10 (2001).

Glandien, Kersten. “Different Ways – The Aesthetics of Heiner Goebbels.” http://www.kerstenglandien.com/pdf/hgsos05.pdf

Goebbels, Heiner. “Aesthetic of Absence, Questioning Basic Assumptions in Performing Arts.” Cornell Lecture on Contemporary Aesthetics (9 March 2010). http://igcs.cornell.edu/files/2013/09/Goebbels-Cornell-Lecture18-1dnqe5j.pdf

Gourgouris, Stathis. “Performance as Composition, Heiner Goebbels Interview.” PAJ – A Journal of Performance and Art 78, 26/3 (2004).

Hewett, Ivan. “Interview With Heiner Goebbels.” http://www.heinergoebbels.com/en/archive/texts/interviews/read/697

Jensen, Frank- “The Visual Composer.” In Space & Composition, edited by Miriam Frandsen. Copenhagen: NordScen, 2005.

Jiricka, Lukas. “An Interview with Heiner Goebbels.” Konfontacije. http://18.konfrontacje.pl/en/an-interview-with-heiner-goebbels-by-likas-jiricka/2013

Merleau-Ponty, Maurice. Fenomenologija percepcije. Zagreb: Veselin Masleša, 1978

Nyffler, Max. Cross-Country, On the Compositional work of Heiner Goebbels. Munich: Ricordi Music Publisher, 1995.

Livingston, Guy. An Interview with Heiner Goebbels. Paris: Atlantic, 1997.

Sorić, Matko. Koncepti postmodernističke filozofije. Zagreb: Studentski zvor sveučilišta, 2010.

Tusa, John. “Interview with Heiner Goebbels.” http://www.heinergoebbels.com/en/archive/texts/interviews/read/55

Veselinović Hofman, Mirjana. Pred muzičkim delom, Ogledi o međusobnim projekcijama estetike, poetike i stilistike muzike 20. veka: jedna muzikološka vizura. Beograd: Zavod za udžbenike, 2007.




DOI: http://dx.doi.org/10.25038/am.v0i5.62

Refbacks

  • There are currently no refbacks.


Copyright (c) 2017 AM Journal of Art and Media Studies

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The content on this site is licensed under a Creative Commons Attribution 4.0 International License.

AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774

Contact: amjournal@outlook.com

Publisher: Faculty of Media and Communications, Singidunum University, Belgrade, Serbia

Indexed in: ERIH PLUSEBSCODOAJ, and in The List of Scientific Journals Categorization of Ministry of Education, Science and Technological Development of Republic of Serbia (M24-2021). Beginning with No. 12 2017, AM is indexed, abstracted and covered in Clarivate Analytics service ESCI.