Empathy as an Aesthetic Infrastructure of Intercultural Communication: China and Post-Yugoslav Digital Narratives in the Age of AI

Authors

DOI:

https://doi.org/10.25038/am.v0i28.675

Keywords:

empathy; aesthetics; affect; intercultural communication; artificial intelligence; digital media; globalization; China; post-Yugoslav space.

Abstract

This article examines intercultural communication between China and the post-Yugoslav states in the context of globalization and the emergence of artificial intelligence (AI), proposing empathy as a central yet ambivalent aesthetic infrastructure through which cultural difference is mediated. While digital platforms and AI technologies have dramatically increased the intensity and visibility of cross-cultural encounters, they have also transformed the conditions under which cultures are perceived, felt, and understood. Drawing on continental philosophy, moral psychology, and communication theory—particularly the work of Jean-Luc Nancy, Maurice Blanchot, Zygmunt Bauman, Martin Hoffman, and Jürgen Habermas—this study conceptualizes empathy not merely as a psychological or ethical capacity, but as an aesthetic and communicative form shaped by media technologies. Drawing on a theoretical-comparative and interpretative approach, the article examines Chinese and post-Yugoslav affective and aesthetic regimes as they are represented, circulated, and emotionally experienced within contemporary digital environments. Chinese culture is globally circulated through narratives of harmony, technological progress, and collective futurity, while post-Yugoslav cultures are framed through trauma, nostalgia, and emotional authenticity. These representations invite empathic engagement, yet often at the cost of historical depth, internal plurality, and ethical responsibility. The article argues that AI-driven empathy produces emotional proximity without genuine dialogue, replacing communicative understanding with affective optimization. In response, it proposes a critical aesthetics of empathic communication that preserves distance, opacity, and interpretive labor as necessary conditions for meaningful intercultural dialogue. Such an approach is essential for rethinking cultural exchange between China and the post-Yugoslav space in the age of artificial intelligence.

Author Biography

Simona Žikić, Institute for Philosophy and Social Theory, University of Belgrade; Faculty of Media and Communications, Singidunum University, Serbia

Simona Žikić is a communicologist and Assistant Professor and Vice Dean at the Faculty of Media and Communications. She is also a Research Fellow at the Institute for Philosophy and Social Theory, where she is affiliated with the DigiLab—Digital Society Lab. Her research focuses on communication theory, intercultural communication, and the impact of digital technologies and artificial intelligence on contemporary society, with a particular interest in empathy, media, and affect. She has published scientific papers and contributed to academic volumes in the fields of communication, public relations, leadership, and digital society. In addition to her academic work, she is engaged in applied communication through research projects, training, and consultancy. She is also actively involved in social and inclusion initiatives.

References

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Published

23.10.2026

How to Cite

Žikić, S. (2026). Empathy as an Aesthetic Infrastructure of Intercultural Communication: China and Post-Yugoslav Digital Narratives in the Age of AI. AM Journal of Art and Media Studies, (40). https://doi.org/10.25038/am.v0i28.675

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Section

MAIN TOPIC: Aesthetics Between China and Post-Yugoslav States in the Context of Globalization