Komparativna analiza dva umetnička opusa: Broders – Mangelos / Comparative Analysis of Two Artists’ Practices: Broodthaers and Mangelos

Authors

  • Ivana Bašičević Antić

DOI:

https://doi.org/10.25038/am.v0i5.64

Keywords:

existentialism, word-image, conceptual art, institutional critique, new media, antiart, intermedia, appropriation

Abstract

This paper is a part of my Ph.D. thesis in which I’ve tried to prove that although seemingly unrelated, artistic practices of Dimitrije Bašičević Mangelos and Marcel Broodthaers are representing similar artistic phenomena in the field of introduction of textual practices in visual arts. Mangelos’ and Broodthaers’ artistic practices have demonstrated that it is possible to reach the open intercultural, intermedia and interdisciplinary artistic practice starting from the closed work of art as a product on the trace of Duchampian ready-made tradition and late-modernist i.e. neo-avant-garde strategies of appropriation of non-art object, cultural institutions and philosophical constructions.

Author Biography

Ivana Bašičević Antić

Ilija & Mangelos Foundation, Novi Sad
Serbia

References

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Bašičević, Dimitrije Mangelos. Fotografija i umetnost. Novi Sad: izd. Vojin Bašičević, Biblioteka grada Beograda, 1996.

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Gildemyn Marie-Pascale. Marcel Broodthaers and Irony (catalogue from exposition Iron by Vision – Rene Magritte, Marcel Broodthaers, Panamarenko, Jan Fabre). Tokio: WATARI-UM, 1991.

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Krauss, Rosalind. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames & Hudson, 2000.

McEvilley, Thomas. "Nova abeceda – umjetnost Marcela Broodthaersa." Quorum 2–3 (1990).

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Šuvaković, Miško. Konceptualna umetnost. Novi Sad: MSUV, 2007.

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Published

15.04.2014

How to Cite

Bašičević Antić, I. (2014). Komparativna analiza dva umetnička opusa: Broders – Mangelos / Comparative Analysis of Two Artists’ Practices: Broodthaers and Mangelos. AM Journal of Art and Media Studies, (5), 79–88. https://doi.org/10.25038/am.v0i5.64