Jump cut tehnika filmske montaže Žan-Lika Godara i file cards kompozicioni metod Džona Zorna: analogije i implikacije / Jean-Luc Godard’s Jump Cut and John Zorn’s File Cards Methods: Analogies and Implications

Smiljka Jovanović

doi:10.25038/am.v0i6.75

Authors

Smiljka Jovanović

DOI:

https://doi.org/10.25038/am.v0i6.75

Keywords:

Film cut, Godard, La Nouvelle Vague, musical blocks, poly-genre, postmodernism, Zorn

Abstract

It seems not only possible, but even comfortable to compare the following models of artistic creation: Jean-Luc Godard’s Jump cut film cut and editing and John Zorn’s File cards montage of musical blocks. These methods aren’t just similar in execution (differences in media and certain technicalities aside) – they come from the same ideological place and embody artists’ social subversions and revolts towards the mainstream in arts. This is a study on similarities, analogies and divergences between Godard and Zorn, incused in the Jump cut and File cards methods.

Author Biography

Smiljka Jovanović

Group for Theory of Arts and Media, University of Arts, Belgrade
Serbia

Ph.D. student

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