What’s the Matter? Deconstructing the Material Lives of Experience-Driven Artworks

Authors

  • Sophie C. Kromholz

DOI:

https://doi.org/10.25038/am.v0i10.129

Keywords:

material, temporary art, experience, presence, absence, sugar, conservation theory

Abstract

This paper, which is part of the fruit of the Ph.D The Artwork Is Not Present – an investigation into the durational engagement with temporary artworks, the fundamental role that material plays in experience-driven ephemeral artworks, specifically temporary artworks. A temporary artwork, as defined in this research, is a physical work of an intentionally temporary duration that is created only once. A temporary artwork can be seen as more than a physical and stable object. Rather, it is an experience-driven artwork. Through deconstructing how the material shapes the artwork, we might understand when an artwork is indeed temporary and how the experience of a work is impacted when the work is physically unmade. The process of mapping out the role of material within experience-driven artworks shapes our understanding of the overall significance of material and the manner in which it constructs how a temporary artwork is experienced as present or absent.

Author Biography

Sophie C. Kromholz

Coordinator for CoCARe – the Interdisciplinary Ph.D and Postdoc Network for Conservation of Contemporary Art Research, Glasgow
United Kingdom

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Published

15.10.2016

How to Cite

C. Kromholz, S. (2016). What’s the Matter? Deconstructing the Material Lives of Experience-Driven Artworks. AM Journal of Art and Media Studies, (10), 13–19. https://doi.org/10.25038/am.v0i10.129