Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones

Stahl Stenslie; Magne Wiggen

doi:10.25038/am.v0i12.165

Article Tools

Print this article

Indexing metadata

Finding References

Review policy

Email this article (Login required)

Email the author (Login required)

About The Authors

Stahl Stenslie
http://www.stenslie.net

Aalborg University
Denmark

Stahl Stenslie (1965) PhD, is an artist, curator and researcher specializing in experimental media art, interactive experiences and disruptive technologies. He focuses on art and expressions that challenge ordinary ways of perceiving the world. His practice asks the questions we tend to avoid or where the answers lie in the shadows of existence. Keywords of his practice are somaesthetics, unstable media, transgression and the numinous. The technological focus in his works is on the art of the recently possible – such as: panhaptic communication on Smartphones; somatic and holophonic soundspaces, and disruptive, open source design of functional and lethal weapons for low cost 3D print. He is an award winning artist, exhibiting, moderating and lecturing at major international events (ISEA, DEAF, Ars Electronica, SIGGRAPH, Oslo Lux). He represented Norway at the 5th biennial in Istanbul, Turkey, co-organized 6cyberconf and won the Grand Prize of the Norwegian Council for Cultural Affairs. His PhD is on Touch and Technologies. Currently he is teaching and researching as a full professor in Art and Technology at Aalborg University, Denmark, and course director and researcher at the Oslo School of Architecture and Design. Since 2015 he has been the director of PNEK.org – Production Network for Electronic Art Norway.

Magne Wiggen
http://mmw.no

Oslo School of Architecture
Norway

Magne Magler Wiggen (1965) is an educated architect from the Oslo School of Architecture. He has worked with Bernard Tchumi in New York and Niels Torp in Oslo, before establishing his own bureau MMW Architects of Norway in 1997. He is Professor in Advanced Architectural Design at The Oslo School of Architecture & Design. He has built several large scale structures such as the centennial pavilion for The Norwegian National Museum, ‘Kyss Frosken’ in 2005. He is a lecturer and external examiner at several architecture and art schools in Norway and abroad. Magne is about 2 meters tall bare feet in thick socks, has visited 44 counties on 4 continents, and has a chronic allergy to fur-bearing animals.

User

Notifications

Information

Journal Content
Browse

Font Size

Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones

Stahl Stenslie, Magne Wiggen

Abstract

This article describes the art and architectural research project Preemptive Architecture that uses artistic strategies and approaches to create bomb-ready architectural structures that act as instruments for the undoing of violence in war. Increasing environmental usability through destruction represents an inverse strategy that reverses common thinking patterns about warfare, art and architecture. Building structures predestined for a constructive destruction becomes a creative act. One of the main motivations behind this paper is to challenge and expand the material thinking as well as the socio-political conditions related to artistic, architectural and design based practices.

Article received: December 12, 2016; Article accepted: January 10, 2017; Published online: April 20, 2017

Original scholarly paper

How to cite this article: Stenslie, Stahl, and Magne Wiggen. "Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones." AM Journal of Art and Media Studies 12 (2017): 29-39. doi: 10.25038/am.v0i12.165

Keywords

preemptive architecture, inverse thinking, discursive methodology, bomb-ready architecture, destruction as aesthetic category, smart materials

Full Text:

PDF

References

Brouwer, Maria. Organizations, Individualism, and Economic Theory. London: Routledge, 2012.

Cohen, Sam A. Future of the Middle East – United Pan-Arab States: Divided by Imperialism, United by Destiny. Bloomington: AuthorHouse, 2014.

“Defense Issues: The myth of the precision bombing.” 2013. Accessed December 30, 2016. https://defen-seissues.net/2013/01/19/the-myth-of-the-precision-bombing/

Dunne, Anthony, and Fiona Raby. Speculative Everything: Design, Fiction, and Social Dreaming. Cambridge: MIT Press, 2013.

“Forensic Architecture: UAV: Unmanned Aerial Violence.” 2013. Accessed December 20, 2016. http://www.forensic-architecture.org/fa-situ-investigation-drone-strikes-informs-report-presented-un/

Gandhi, M. K. Non-Violent Resistance. New York: Dover Publications, Inc., 2001.

Herford, Marta, ed. Brutal Beauty. Violence and Contemporary Design. Berlin: Kerber Verlag, 2016.

Hodges, M. “Forensic Architecture is unravelling conflict from Gaza to Guatemala.” 2016, Accessed December 30, 2016. http://www.wired.co.uk/article/gaza-data-forensics

Jones, Jonathan. “Magic Mushrooms.” 2002. https://www.theguardian.com/artanddesign/2002/aug/06/art.artsfeatures

Kanaani, Mitra, and Dak Kopec. The Routledge Companion for Architecture Design and Practice: Established and Emerging Trends. London: Routledge, 2015.

Lambert, Léopold. “Weaponized Architecture / Designing Volumes of Energy: A Materialist Reading of the Explosion. 2013. Accessed December 30, 2016. http://thefunambulist.net/2013/05/15/weaponized-architecture-designing-volumes-of-energy-a-materialist-reading-of-the-explosion/

Lewis, Richard L., and Susan I. Lewis. The Power of Art. Cengage Learning, 2013.

Marinetti. “The Futurist Manifesto.” Accessed December 20, 2016. http://www.italianfuturism.org/manifestos/foundingmanifesto/

Metzger, Gustav. “Manifesto Auto-Destructive Art.” Accessed December 20, 2016. http://radicalart.info/destruction/metzger.html.

Red Cross, 2016. Accessed December 20, 2016. https://ihl-databases.icrc.org/ihl/INTRO/470

de Silva, Clarence W., ed. Vibration and Shock Handbook. London: CRC Press, 2005.

Smilowitz, Robert. “Designing Buildings to Resist Explosive Threats.” 2016. https://www.wbdg.org/resources/designing-buildings-resist-explosive-threats

Stiles, Kristine. “Book for the Unstable Media.” Accessed December 30, 2016. http://v2.nl/archive/articles/selected-comments-on-destruction-art

Tate Modern. Accessed December 12, 2016. http://www.tate.org.uk/whats-on/tate-britain/exhibition/art-60s-was-tomorrow/exhibition-themes/destruction-art-symposium

Walker, Paul. “U.S. Bombing: The Myth of Surgical Bombing in the Gulf War.” 1992. Accessed December 30, 2016. http://deoxy.org/wc/wc-myth.htm

“Wars in The World.” 2016. Accessed December 12, 2016. http://www.warsintheworld.com/?page=static1258254223

DOI: http://dx.doi.org/10.25038/am.v0i12.165

Refbacks

There are currently no refbacks.

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The content on this site is licensed under a Creative Commons Attribution 4.0 International License.

AM Journal of Art and Media Studies ISSN 2217-9666 - printed, ISSN 2406-1654 - online, UDK 7.01:316.774

Contact: amjournal@outlook.com

Publisher: Faculty of Media and Communications, Singidunum University, Belgrade, Serbia

Indexed in: ERIH PLUS, EBSCO, DOAJ, and in The List of Scientific Journals Categorization of Ministry of Education, Science and Technological Development of Republic of Serbia (M24-2021). Beginning with No. 12 2017, AM is indexed, abstracted and covered in Clarivate Analytics service ESCI.

Username
Password
Remember me