On TRANSLATION: As Method in My Practice

Authors

  • Loren Britton

DOI:

https://doi.org/10.25038/am.v0i18.289

Abstract

How to cite this article: Britton, Loren. "On TRANSLATION: As Method in My Practice." AM Journal of Art and Media Studies 18 (2019): 152−158. doi: 10.25038/am.v0i18.289

Author Biography

Loren Britton

Loren Britton
https://lorenbritton.com

Interdisciplinary artist, New York, USA; Berlin
Germany

Loren Britton is an interdisciplinary artist, academic and curator based in-between Berlin, DE and New York City, USA. Britton’s work explores abstraction of form through technological notions of language and translation. Britton works with historical trans-gender subjects through media and lively material. Britton has exhibited their work in solo and group exhibitions in numerous institutions, galleries and artist run projects in Germany, Japan, Italy and in the United States. Britton is a co-curator of the Queering Space Collective that curates projects around questions of where queerness meets form. Britton holds a Bachelor of Fine Arts in Painting and a Bachelor of Arts in Art History from State University of New York at Purchase College, USA. They also hold a Master of Fine Arts in Painting & Printmaking from the Yale School of Art at Yale University, USA. Their work has been reviewed in Field Magazine, Art Critical, Art Maze Magazine, The Brooklyn Rail, ASAP Journal, Bedford and Bowery and Filthy Dreams amongst other publications. Britton’s scholarly writing will be published in “Queer Objects” from Otago University Press & Rutgers University Press (eds. Chris Brickell and Judith Collard, 2019).

References

Ahmed, Sara. “A Phenomenology of Whiteness.” Feminist Theory 8, 2 (2007): 149-168. doi: 10.1177/1464700107078139 DOI: https://doi.org/10.1177/1464700107078139

Fanon, Frantz. Black Skin, White Masks. London: Pluto Press, 1986.

Malabou, Catherine. Changing Difference. Translated by Carolyn Shread. Cambridge, UK, Malden, MA: Polity Press, 2011.

Rich, Adrienne. Blood, Bread, and Poetry: Selected Prose 1979-1985. New York, London: W. W. Norton & Company, 1986.

DOI: http://dx.doi.org/10.25038/am.v0i18.289 DOI: https://doi.org/10.25038/am.v0i18.289

On the cover: Provisional Salta Ensemble, Corporeal Necropolitics, Beirut-Belgrade, 2019.

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Published

15.04.2019

How to Cite

Britton, L. (2019). On TRANSLATION: As Method in My Practice. AM Journal of Art and Media Studies, (18), 152–158. https://doi.org/10.25038/am.v0i18.289

Issue

No. 18 (2019): Issue No. 18, April 2019 - Main Topic: Corporeal Archives

Section

Artist Portfolio

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